Tag Archive for 'Poetry'

Farewell, LA reading series

Hi all,

I’m doing a few last readings before I move away to start my MFA and head out to the Prague Summer Writers Program.  I’d love to see everyone before I take off, so come out to one or more of these!  
This weekend, I’m reading on both Friday and Saturday, and here’s the info:
Friday, March 27th, 8 p.m. at Stories Bookstore in Echo Park, 1716 Sunset Blvd.  I’ll be reading with Karen Harryman, a Black Goat Press poet, and here’s her deal:
Karen Harryman’s poems have appeared in Alaska Quarterly, Los Angeles Review, Poetry New Zealand, and the Cortland Review, as well as other print and online journals. Before moving to Los Angeles, she lived and worked in Kentucky for most of her life. Currently, she teaches English and creative writing at YULA, an Orthodox Jewish high school in Los Angeles. Auto Mechanic’s Daughter is her first book.
It will be a great reading–she’s really talented, and Stories, if you haven’t been yet, is a beautiful little bookstore that could use our support.
Saturday, March 28th, 8 p.m. (I go on at 9, though) Will Wright Reads at the Echo Park Film Center, 1200 N Alvarado St. (@ Sunset).  There’s a good possibility I might read prose (gasp)!  All of the other readers are good news, too.
And…finally…
Friday, April 3rd, 7:30 p.m., Skylight Books with Cati Porter, 1818 N Vermont Ave.  It’s Skylight, and they’re awesome.  Come.  Here’s Cati’s deal:

Cati Porter is founder and editor-in-chief of Poemeleon: A Journal of Poetry and associate editor (poetry) for Babel Fruit. She is the author of two poetry collections, a chapbook of prose poems, small fruit songs (Pudding House Publications, 2008), and Seven Floors Up (Mayapple Press, 2008). Her poems have been anthologized in Bedside Guide to No Tell Motel – Second Floor (No Tell Books), Letters to the World: Poems from the Women’s Poetry Listserv (Red Hen Press), and White Ink: Poems on Mothers and Motherhood (Demeter Press/York University, Canada), and appear widely online and in print. 

Phew.  OK.  See you soon.

Moe Green Poetry Hour!

Hey everyone!

I just got back from a long trip, during which I taught a writing workshop in Zion, Illinois, and visited my friend who’s getting her PhD in Creative Nonfiction at the University of Missouri.  It was a great trip, and I got to spend time with a lot of wonderful people I’ve missed seeing–as well as make some new friends!

Anyway, I’m back in LA for a while, so it’s time to get down to business again.  I’ll be featured on the Moe Green Poetry Hour this Wednesday, January 21st, starting at 8 am.  I’ll read some work, and chat about poetry and poetry-related things.  I’m honored to be featured–he’s had some incredible writers on in the past, and it’ll be a lot of fun.

If, as I imagine, some of you aren’t in listening form at 8 am, the show will be archived and you can listen to it whenever you want to.  Here’s the link to blog talk radio, where the show’s broadcast from:

http://www.blogtalkradio.com/onword/page/3

In other news, I’ll be a featured poet in the first issue of Astraeos, a quarterly magazine dedicated to promoting new and emerging artists from all genres with circulation in NY and LA—and worldwide via its website. 

The issue will feature some poems, and an interview!  I’m very excited, and will let everyone know when it’s complete so you can order it.  It’s going to be a great magazine.  

It’s good to be home.

reading at Metropolis Books, 9/11 (Artwalk!)

Here’s the deal with my reading at the Artwalk next Thursday:

“Metropolis Books is a great little bookstore in Downtown, sort of an anchor of literary goodness in this crazy beautiful part of the city. It is owned and operated by a really cool lady named Julie Swayze.

Please join us and hear Kim’s unforgettable poetry, buy a book or two if you haven’t already done so,
and have a good time with us.

For those of you who haven’t done the Downtown Art Walk before, it’s a real treat.
People are all over the streets, hopping from one packed gallery to the next, and you’re like us,
sipping free cheap wine at most of the galleries!! It’s a bucketload of fun.

So once again:

Thursday, 9/11
7 PM

Kim Calder
@
Metropolis Books
The Downtown Source for Books
440 S. Main St. L.A. 90013
Phone-213-612-0174 

www.MetropolisBooksLA.com 
www.Downtownbookblog.blogspot.com

Looking forward to seeing you all there.

Chiwan & Judeth
writlargepress.com

ghost of readings past

I’m back from New York, and getting geared up to read next Thursday night at Metropolis Books during the Artwalk in Downtown LA.  I’ve posted some pictures from the reading I did at goodbye blue monday in Brooklyn, which was a great experience.  Check out the gallery section of the site if you’d like to see them.  I read a few short pieces from the book, and then read the 25 or so pages I have of prison-house (for the first time).  Generally, I’ve only read very short sections, so it was somewhat dizzying to read the whole thing.  I find it daunting, too, to read works-in-progress, but having some friends there to help me along was useful.  As I read prison-house, I was accompanied by 4 musicians: a drummer, violinist, guitarist, and a pianist.  We had no real plan and the whole thing was improvised, a form that seemed to match perfectly, for me, with the notion of presenting a work-in-progress publicly.  I feel even closer to the piece after performing it in this setting, and I learned a lot about what I’d like to accomplish with it.  It was a major challenge, acoustically and energetically, to read with and over the music, and the reading had a very different feel from other readings I’ve done.  We were well received, and GBM was packed for the duration, with both old friends and strangers.  If you live in Brooklyn, or are planning on visiting soon, I highly recommend paying goodbye blue monday a visit.  It’s located in Bushwick and is a great place to check out some free music/performance, have a drink, and buy weird stuff (everything in the place is for sale).

I’m planning on staging a similar reading of prison-house once it’s further along, and will keep all you LA people posted when I figure the timing of that out.  I’ve been traveling a lot lately, and it’s good to be home, where I’ll actually be staying put for a while.  Hope to see some of you at the Artwalk–I’ll post the info here, of course.  

reading/signing at Village Books

I’m having a book signing/reading at Village Books in the Palisades this Thursday, July 10th. It’s the first thing I’ve done on the westside, so hopefully I’ll see some of you who haven’t been able to get out to the other readings there, and everyone in general! Here’s the info:

Kim Calder signs Who’s to Say What’s Home

Village Books

1049 Swarthmore Ave. Pacific Palisades, CA 90272

(310)-454-4063

7:30-8:30

and their website:

http://www.palivillagebooks.com/vb/index.php  

“Two roads diverged in yellow wood…” Wait, what happened???

This has to be one of the funniest articles I’ve ever seen:

 

Court throws the book at Frost home trespassers

A beer party in a former home of the poet lands several teens and young adults in literature class.
By John Curran, Associated Press 
June 9, 2008
MIDDLEBURY, Vt. — Call it poetic justice: More than two dozen young people who broke into Robert Frost’s former home for a beer party and trashed the place are being required to take classes in his poetry as part of their punishment. 

Using “The Road Not Taken” and another poem as jumping-off points, Frost biographer Jay Parini hopes to show the vandals the error of their ways — and the redemptive power of poetry.

“I guess I was thinking that if these teens had a better understanding of who Robert Frost was and his contribution to our society, that they would be more respectful of other people’s property in the future and would also learn something from the experience,” said prosecutor John Quinn.

The vandalism occurred at the Homer Noble Farm in Ripton, where Frost spent more than 20 summers before his death in 1963. Now owned by Middlebury College, the unheated farmhouse on a dead-end road is used occasionally by the college and is open in the warmer months.

On Dec. 28, a 17-year-old former Middlebury College employee decided to hold a party and gave a friend $100 to buy beer. Word spread. Up to 50 people descended on the farm, the revelry turning destructive.

When it was over, windows, antique furniture and china had been broken, fire extinguishers discharged, and carpeting soiled with vomit and urine. The damage was put at $10,600.

Twenty-eight people — all but two of them teenagers — were charged, mostly with trespassing.

About 25 ultimately entered pleas — or were accepted into a program that would allow them to wipe their records clean provided they underwent the Frost instruction. Some will also have to pay for some of the damage, and most were ordered to perform community service in addition to the classroom sessions. The man who bought the beer is the only one who went to jail; he got three days behind bars.

Parini, 60, a Middlebury College professor who has stayed at the house before, was eager to oblige when Quinn asked him to teach the classes.

Eleven recently turned out for the first of two sessions, with Parini giving line-by-line interpretations of “The Road Not Taken” and “Out, Out –,” seizing on parts with particular relevance to draw parallels to their case.

“Two roads diverged in a yellow wood,” he thundered, reciting the opening line of the first poem.

“This is where Frost is relevant. This is the irony of this whole thing. You come to a path in the woods where you can say, ‘Shall I go to this party and get drunk out of my mind?’ ” he said. “Everything in life is choices.”

“It’s a lesson learned, that’s for sure,” said one of the vandals, 22-year-old Ryan Kenyon, whose grandmother knew Frost. “It did bring some insight. People do many things that they don’t realize the consequences of. It shined a light, at least to me.”

chiwan choi (and this wednesday)

As y’all know, I’m reading with Chiwan Choi this Wednesday at Good Hurt and had promised to post a sample of his work. Chi’s a genius, and he’s also 1/2 of my publisher, Writ Large Press. Here’s a poem from his website:

Jacob and Israel

it’s how the story was told to me
on the steps of the kitchen,
my little belly hanging out over the waist
of the beige shorts mom made me,
with seams stitched in
so i’d know which side was the front,
the comic book in my hands,
unable to admit to her
that i was making up the words
after overhearing her tell her sister
who lived next door with her unbearable husband
that i could already read at not quite 4,
sitting there on the steps that my father built
just like he built the rest of the house
once over the business of having me,
sitting on those steps that went down into the kitchen,
as she stuck her hands
into cabbage and pepper flakes
and drew me the picture of that cliff,
that mountainside of rocks,
with her words
and i pretended not to care
and held the book i couldn’t read to my face
and pretended i didn’t hear the story
of jacob,
of israel,
hanging there on the rocks,
his hands on the cloth of the angel’s robe,
whose wings were no match
for a young man’s desperation.

Chi’s one of the best poets writing today–so I highly recommend you make it out for this one. I know it’s the westside, but it’s worth it, I promise.

Here’s the info, one more time:
Wednesday, May 21st
8 pm (Chi and I will be reading between 8:45-9:45)
Good Hurt Bar
12249 Venice Blvd.
Los Angeles, CA 90066

and, be sure to check out Chi’s website, www.chiwanchoi.com, and Writ Large Press’ website, www.writlargepress.com.

Reading w/Sarah Heston and Gabriela Jauregui 6/7

That’s right, folks, ANOTHER reading!  I’ll be reading with Sarah and Gaby, who are both absolutely amazing.  Here’s the deal:

Sarah Heston’s Art Jam Out

June 7th, 7 p.m.
in basement of 810 e 3rd st, # 45
(enter at the big iron gate at 801 e Traction across the street from Blooms Store at Hewitt and Traction)

Hey friends, so I’m heading to Finland in June and then I’m off to Missouri to get my Ph.D. from the Univ. of Missouri, where I’ve been named the (duh duh) Distinguished Fellow of Creative Non-Fiction, for my memoir, which some of you are mentioned in. And I’ve only been back in LA for mere months…so, I will read a bit from the memoir, sing, dance, and humiliate myself, all for you. In addition, there will be other readers and performers, art on display, and drinks and food in this incredible downtown studio of Dave’s and Frank’s (the dads).

Sarah Heston reads from the memoir
Kim Calder and Gabriela Jauregui read from their *new and awesome* books of poetry
David Hollen’s fabulous and slightly dangerous sculptures will be on display, so be careful and bid high!
and I think many others, like beautiful Swedish jazz musicians? erudite accomplished Armenians?  unicorns? my grandparents??
Google names for books and art. Forward email to mutual friends.

But most importantly, this is my way to party with you before I take off, once again, but this time with university backing for a book that is saving my life. Please come dance with me, bring alcohol if you can, and check out the work of my friends and my own, because we’re all doing what makes life great. And you are great. I’ve seen your bands a million times, now you can come see what I do.

Please RSVP by letting me know you’d like to come, and I’ll advise Sarah so she can make enough food, etc.  I can’t say enough about Sarah’s writing–and she’s also just one of my favorite people out there.  Gaby’s going to be incredible, as well, and it should be one hell of a party.  So come on out!!

I advise you check out Ms. Heston’s writing, ASAP, at:

http://sarahheston.blogspot.com/

and, this is what none other than Marjorie Perloff said about Gaby’s book:

Remarkable. . . . Gabriela Jauregui displays perfect pitch: Her lyrics are impressive in their scope, range, empathy-and especially their authentic passion.-Marjorie Perloff , author of 21st-Century Modernism

prison-house section

as promised, here’s the section of my new work-in-progress, prison-house, which I read at the release party:

__________

I hear a good many things about my life;

the best I can do is repeat them.

I am told that my parents, concerned

with poisoning me, bottled food to feed me.

I am told that once, at the beach, I refused

to return home as a cohesive unit, denying

familiar bonds. I am told, at a certain point,

I refused to return home whatsoever.

I am told that I loved someone and that

someone once loved me and we lived together

for many years in several different apartments.

I am told that a good many things about my life,

denying familiar bonds, refused to return home

at all for many years in several different apartments.

__________

traitorous cancer, serpent denying self

bad-bad train bound for nowhere good

inexhaustible nothing/something

lying on the dark dark green sheets,

twisting and twisting, waiting

for the whistle to get blown

for something something to get not-

foggy, to get a fucking job already,

to get fucked every which way

on the roof, in a building, in a car

or in a noose, or in the proverbial

lie of an originary truth, small thing

eating words and crawling, small

thing, a loved and not-loved thing,

small thing, reading fast, never

really learning to walk upright,

small thing crawling, small thing still.

as a small thing, I was held,

remembered strange stories

in the night, words confusing

to a small thing,

disappearing immediately,

reappear later, interrupt

creeping into the stairwell to sleep,

my lip gushing blood I lay, blanketless,

on the carpet, I remembered the strange stories,

felt nothing was right, felt something

__________

To get on the stairs,

I would have had

to have been in one

of many apartments

with someone who

I loved who supposedly

loved me, and that

supposition, apparently,

would have been false.

__________

unspeakable disaster, me and not me

unspeakable disaster, warm and heaving

in the bathroom, seeming to die

unspeakable disaster sleepless and seamless

and shirtless and full of glitches,

things unsaid unspeakable disaster

got me on my knees, unspeakable

disaster forgetting and remembering

Unspeakable

disaster,

I’d call

on the dead

for remembering,

but the dead,

like me,

don’t remember

a thing.

Unspeakable disaster, tell me sometime

I knew nothing truly, not that nothing

of nothing but nothing-nothing,

the small thing. small thing lost to me,

muddy in the garden watering roses

with Mom, diaper-clad, pulling

the cat’s tail like a personal handle,

cutting a thigh open on a Chevrolet seat,

eating chocolate cake, feeling scared

at night, loving Daddy so much,

privileging disaster.

Tell me

there are no

limit-points,

that it’s all

a part

of the same,

that I need

only press my ear

into the silence,

that it

will speak to me.

words flash past my face.

I’m kneeling on the bedroom

floor, looking up at god,

considering dead letters.

cards coming up in the hands

of my mother, her long red nails

against pale cardboard.

aardvark. tarantula. lemur.

animals I will never meet.

I’m strong, made strong

by freshly ground fruit

and vegetables, denial,

and devout abstinence,

but I’m weak as I try,

as I try to picture

the things before me,

fail, can’t put anything

between the aardvark’s

A & K, can only think

of noah and his ark,

my future exclusions

__________

this is interval one.

no spaces between the intervals

but more intervals.

no intervals between intervals

merely cuts, empty spaces

no knowledge of interval one

until interval ten,

no knowledge then either

interval outside of intervals,

ending interval systems:

hunters have found a body

in the desert. unidentifiable

at the time. heavily decomposed.

aardvark, tarantula, lemur,

coming home to roost

many years later in several

different apartments, aardvark

in the living room,

the subway rushing by

outside, making static on the TV,

shrouding the hard-shelled beast

in darkness, aardvark in Venezuela

where mother and sister worried

the house’d burn, made clothes

by hand, constantly fearful lemur,

intangible, tarantula, unmentionable.

__________

he could be anyone.

the man who watches

you cry,comforts,

the kindest old fool

on the block.

he might be crouched

with the aardvarks

in the flickering light,

under worrisome noise.

he might have prayed

for these outcomes,

and it would be the prayers,

not the outcomes,

that could give you nightmares.

You might have forgotten about him.

I have forgotten about all of them.

forgetting is our human duty.

one must forget, and live on.

__________